SAPFM Annual Meeting
By Jim Milam
The Society of American Period Furniture Makers (SAPFM) holds a meeting every year and the 2018 version took place in Old Sturbridge Village, a two hour drive west of Boston. The 4-day weekend was so jam packed with museum visits and woodworking instruction that there was no time to see the sights in the 18th century setting where much of the activities took place.
Day one began with a bus trip to the Museum of Fine Arts in Boston where Phil Lowe, Robert Mussey, and Al Breed pointed out nuances of 18th century furniture by the likes of carver Samuel McIntire, and Federal period furniture makers John & Thomas Seymour. We also had an extended session studying a marvelous tall clock, ca 1800, attributed to Nathan Lumbard, who made furniture in what is now Old Sturbridge Village. Our after dinner speaker that night was none other than Norm Abram, who is a member of OSV’s board of directors.
Day two was consumed by two lectures and three workshops (demonstrations emphasizing how-to techniques of Chippendale and Federal Period design and construction techniques).
1. Al Breed demonstrated carving a Newport concave shell before a small, intimate audience. He seems to obtain near-perfect results without concentrating; taking questions while he works - - astonishing to one who has trouble simultaneously walking and chewing gum.
2. Phil Lowe lectured on how he believed Boston craftsmen would have made lunette and other bandings in the late 18th and early 19th centuries.
3. My good friend Will Neptune gave an hour-long lecture on proportion and symmetry in architecture and furniture, focusing on the work of Connecticut cabinetmaker Eliphalet Chapin. A 50+ page article on this subject (authored by Will and Steve Brown) appears in the 2017 issue of
American Furniture Journal (an annual publication for museum academics).
4. Jennifer Anderson made a presentation on the mahogany trade, touching on mahogany’s many aliases, and concentrating on the Louis Thompson Mahogany Company of Philadelphia.
I highly recommend her book Mahogany, The Costs of Luxury in Early America. It is a history lesson on mahogany logging, shipping, ship building, and how the mahogany trade was interwoven with other commerce beginning in the late 1600’s.
5. Randy Wilkinson spoke on wood anatomy, focusing on identifying wood species in period furniture. With more than 80,000 species in the world, Randy highlighted several notable examples of lesser-known woods misidentified as mahogany.
The after dinner speaker was Brock Jobe (Professor Emeritus of American Decorative Arts at Winterthur Museum and board member of Old Sturbridge Village) who spoke about OSV’s efforts to re-establish a working cabinet shop there.
Day three was very much like the previous day - - heavier on the lectures and less demonstrations. Three back-to-back lectures by Al Breed on a highboy, Pembroke table, and documents chest, all made by Newport craftsman John Townsend (described by Al as a perfectionist); Phil Lowe on his techniques for reproducing six Federal chairs for Peabody Essex Museum; and Will Neptune imparting further on 18th century furniture design and its adherence to Greek and Roman proportional relationships and geometry.
Then there were optional workshops. I chose to listen in as Matt Bickford demonstrated the use of his hollows and rounds. Matt makes his living hand-making reproduction wooden molding planes and I understand that his backlog of orders will take years to fill. And then I sat in on a lecture/demonstration on making patriotic bandings and paterae by Michael Wheeler, a Boston cabinetmaker with decades of experience in Federal period work.
Finally, Brock Jobe and Christie Jackson jointly lectured on the life and furniture of Nathan Lumbard - - the same Nathan Lumbard mentioned above. Brock, like Norm Abram, is also on the board of Old Sturbridge Village. Allow me to recommend another book, this one by Brock Jobe and Christie Jackson titled Crafting Excellence: The furniture of Nathan Lumbard and His Circle. It is a masterpiece highlighting the craftsmanship of a rural Massachusetts cabinetmaker.
Day Four was another off site visit - - this time to Peabody Essex Museum in Salem, MA. The museum is normally closed on Monday, but due to Phil Lowe’s influence there, we were treated to a tour of several houses on the premises, and a lengthy visit in the museum proper where Phil expounded on pieces made by Thomas Seymour and Nathaniel Gould. This was followed by a short drive to Phil’s shop where he fed us lunch and then spoke for an hour on his construction technique for making diamond muntins for period casework doors.
This was a whirlwind 5 days (including travel) and I thoroughly enjoyed every minute soaking in nuance details of a subject about which I am passionate. I took more than 600 photos, 4 of which are included below.